Born to Be Bad (1934)
Along with such wonderful pre-code fare as The Magnificent Flirt (1928), Platinum Blonde (1931), Play-Girl (1932), They Call It Sin (1932), Midnight Mary (1933) and Born to Be Bad (1934), Loretta Young was in such Films Noir as The Stranger (1946) and The Accused (1949).
Platinum Blonde (1931) with Robert Williams
Director Edward H. Griffith, Tyrone Power, Loretta Young, Adolphe Menjou, Charles Winninger on the set of Café Metropole (1937)
with Una Merkel in Midnight Mary (1933)
with Una Merkel in Midnight Mary (1933)
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